2018
Sculpting Light, Federico Parra
The Russian gothic: 2487 km of contrast, Vincent Lacombe
Displaying dyslexia, Sofie Gagelmans
Reconsidering reading of computerized lexicographical tools, François Elain
Three languages, two scripts and one medium. Biscriptual Trilingualism., So-Hyun Bae
The Missing Scripts 2018. Afaka, Émilie Aurat
2017
The Missing Scripts 2017. Poster, Nsibidi & Elymaic, Morgane Pierson
Poetic program, typographic system, Rémi Forte
CNC Type, Tanguy Vanlaeys
Gotico-Antiqua, Proto-Roman, Hybrid, Alexis Faudot, Rafael Ribas
Typography, a digital tool for the acquisition of written language, Rosalie Wagner
2016
”What should an Alef look like?”, Montasser Drissi
The tsar’s roman, Isia Yurovsky
Form & visibility of archives online: editing the archives of Antoine Vitez’ Electra, Gabriele Cepulyte
Immortel, Clément Le Tulle-Neyret
A writing system for gymnastics, Camille Trimardeau
The Missing Scripts 2016, Arthur Francietta
2015
Typographic manipulation, Corentin Noyer
(Trans)textual interfaces, Sylvain Julé
The signs on the wall, Pierre Fournier
Liveliness of the printed text, Miklós Ferencz
Italicismes. From Aldine to oblique, italic forms in relation to the traditional family model, Lucas Descroix
2014
Stencilled, Alice Jauneau
Re‑Typograph 2014, David Vallance
Typeface for monetary inscriptions, Elvire Volk Leonovitch
Paideuma, Mário Vinícius
A typeface for the first musical notations, Francis Ramel
Borders areas, Céline Kriebs
2013
Re‑Typograph 2013, Thomas Bouville
Mapping composition, new topology, Sébastien Biniek
From the gesture to the idea: graphic forms of the writing at the primary school, Éloïsa Pérez
Ugly Faces, Julian Moncada
Design and development of an extended phonetic typeface, Sarah Kremer
Awal. One country, three wrting systems, Redouan Chetuan