2021

ANRT Sigilla, Délia Préteux

Lettrages muets, Julien Van Anholt

Lettres en résonance, Juan Manuel Calvin Gomez

Re-read, -search, -weave, -publish, Andréa Bouin

The Missing Scripts 2021: Dives Akuru, Fernando Caro

The Missing Scripts 2021: Linear Elamite, Sina Fakour
2020

Banane Bleue, Marie Lécrivain

Genre & Typographie : Redessiner les lignes, Eugénie Bidaut

Les archives de Hans-Jürg Hunziker, Tânia Raposo

Lost and Found: Carte Antique, Sean Kuhnke

L'imaginaire typographique de Louis Jou, Jules Durand

Missing script 2020: Book Pahlavi, Amir Mahdi Moslehi
2019

diacritics.info, the diacritical datas, Yeelena De Bels

The Scriptorium de Toulouse (1967 – 2005), a “Dossier resté sans Suite”, Juliette Flécheux

Depicting the indiscernible, Océane Juvin

Sharada & Latin: One tool, two angles, Parimal Parmar

The Missing Scripts 2019: Mayan, Alexandre Bassi

Visiting the Text, Pierre Fave
2018

Displaying dyslexia, Sofie Gagelmans

The Russian gothic: 2487 km of contrast, Vincent Lacombe

Reconsidering reading of computerized lexicographical tools, François Elain

Sculpting Light, Federico Parra

The Missing Scripts 2018: Afaka., Émilie Aurat

Three languages, two scripts and one medium. Biscriptual Trilingualism., So-Hyun Bae
2017

CNC Type, Tanguy Vanlaeys

Gotico-Antiqua, Proto-Roman, Hybrid, Alexis Faudot, Rafael Ribas

Typography, a digital tool for the acquisition of written language, Rosalie Wagner

Poetic program, typographic system, Rémi Forte

The Missing Scripts 2017. Poster, Nsibidi & Elymaic, Morgane Pierson
2016

”What should an Alef look like?”, Montasser Drissi

Form & visibility of archives online: editing the archives of Antoine Vitez’ Electra, Gabriele Cepulyte

Immortel, Clément Le Tulle-Neyret

The tsar’s roman, Isia Yurovsky

The Missing Scripts 2016, Arthur Francietta

Un système d’écriture pour la notation gymnique, Camille Trimardeau
2015

Typographic manipulation, Corentin Noyer

(Trans)textual interfaces, Sylvain Julé

Italicismes. From Aldine to oblique, italic forms in relation to the traditional family model, Lucas Descroix

Le grain du texte imprimé, Miklós Ferencz

The signs on the wall, Pierre Fournier
2014

Paideuma, Mário Vinícius

Stencilled, Alice Jauneau

Typeface for monetary inscriptions, Elvire Volk Leonovitch

Re‑Typograph 2014, David Vallance

A typeface for the first musical notations, Francis Ramel

Borders areas, Céline Kriebs
2013

Re‑Typograph 2013, Thomas Bouville

Awal. One country, three wrting systems, Redouan Chetuan

Design and development of an extended phonetic typeface, Sarah Kremer

From the gesture to the idea: graphic forms of the writing at the primary school, Éloïsa Pérez

Ugly faces, Julián Moncada

Mapping composition, new topology, Sébastien Biniek